What is Gita Govinda Sarga 12 - Supreet Pitambara in Tamil?

Read Gita Govinda Sarga 12 - Supreet Pitambara in Tamil script — full lyrics with English meaning and transliteration. This segment marks the final, euphoric chapter of the Gita Govinda, composed by the 12th-century poet Jayadeva. It depicts the divine union of Radha and Krishna after their long separation. Through exquisite lyrical poetry, the text explores the transcendental love and surrender between the human soul and the Divine. Chanting or meditating upon these verses is considered a path to experiencing profound spiritual devotion and blissful intimacy with the Lord. It serves as a masterpiece of Bhakti literature, celebrating the eternal reunion of the beloved and the Divine, offering the practitioner deep emotional cleansing and spiritual fulfillment.

Who composed Gita Govinda Sarga 12 - Supreet Pitambara in Tamil?

Gita Govinda Sarga 12 - Supreet Pitambara in Tamil is traditionally attributed to Jayadeva.

Gita Govinda Sarga 12 - Supreet Pitambara in Tamil - Sanskrit Text & Meaning

Q: Which deity is Gita Govinda Sarga 12 - Supreet Pitambara in Tamil dedicated to?

Gita Govinda Sarga 12 - Supreet Pitambara in Tamil is a Sanskrit hymn dedicated to Lord Krishna.

॥ த்வாதஶஃ ஸர்கஃ ॥

॥ ஸுப்ரீதபீதாம்பரஃ ॥
கதவதி ஸகீவ்ரு'ந்தேऽமந்தத்ரபாபரநிர்பர-ஸ்மரபரவஶாகூதஸ்பீதஸ்மிதஸ்நபிதாதரம் ।
ஸரஸமநஸம் த்ரு'ஷ்ட்வா ராதாம் முஹுர்நவபல்லவ-ப்ரஸவஶயநே நிக்ஷிப்தாக்ஷீமுவாச ஹரஃ ॥ 68 ॥
॥ கீதம் 23 ॥
கிஸலயஶயநதலே குரு காமிநி சரணநலிநவிநிவேஶம் ।
தவ பதபல்லவவைரிபராபவமிதமநுபவது ஸுவேஶம் ॥
க்ஷணமதுநா நாராயணமநுகதமநுஸர ராதிகே ॥ 1 ॥
கரகமலேந கரோமி சரணமஹமாகமிதாஸி விதூரம் ।
க்ஷணமுபகுரு ஶயநோபரி மாமிவ நூபுரமநுகதிஶூரம் ॥ 2 ॥
வதநஸுதாநிதிகலிதமம்ரு'தமிவ ரசய வசநமநுகூலம் ।
விரஹமிவாபநயாமி பயோதரரோதகமுரஸி துகூலம் ॥ 3 ॥
ப்ரியபரிரம்பணரபஸவலிதமிவ புலகிதமதிதுரவாபம் ।
மதுரஸி குசகலஶம் விநிவேஶய ஶோஷய மநஸிஜதாபம் ॥ 4 ॥
அதரஸுதாரஸமுபநய பாவிநி ஜீவய ம்ரு'தமிவ தாஸம் ।
த்வயி விநிஹிதமநஸம் விரஹாநலதக்தவபுஷமவிலாஸம் ॥ 5 ॥
ஶஶிமுகி முகரய மணிரஶநாகுணமநுகுணகண்டநிதாநம் ।
ஶ்ருதியுகலே பிகருதவிகலே மம ஶமய சிராதவஸாதம் ॥ 6 ॥
மாமதிவிபலருஷா விகலீக்ரு'தமவலோகிதமதுநேதம் ।
மீலிதலஜ்ஜிதமிவ நயநம் தவ விரம விஸ்ரு'ஜ ரதிகேதம் ॥ 7 ॥
ஶ்ரீஜயதேவபணிதமிதமநுபதநிகதிதமதுரிபுமோதம் ।
ஜநயது ரஸிகஜநேஷு மநோரமதிரஸபாவவிநோதம் ॥ 8 ॥
மாரங்கே ரதிகேலிஸங்குலரணாரம்பே தயா ஸாஹஸ-ப்ராயம் காந்தஜயாய கிஞ்சிதுபரி ப்ராரம்பி யத்ஸம்ப்ரமாத் ।
நிஷ்பந்தா ஜகநஸ்தலீ ஶிதிலதா தோர்வல்லிருத்கம்பிதம் வக்ஷோ மீலிதமக்ஷி பௌருஷரஸஃ ஸ்த்ரீணாம் குதஃ ஸித்யதி ॥ 69 ॥
அத காந்தம் ரதிக்லாந்தமபி மண்டநவாஞ்சயா ।
நிஜகாத நிராபாதா ராதா ஸ்வாதீநபர்த்ரு'கா ॥ 70 ॥
॥ கீதம் 24 ॥
குரு யதுநந்தந சந்தநஶிஶிரதரேண கரேண பயோதரே ।
ம்ரு'கமதபத்ரகமத்ர மநோபவமங்கலகலஶஸஹோதரே ।
நிஜகாத ஸா யதுநந்தநே க்ரீடதி ஹ்ரு'தயாநந்தநே ॥ 1 ॥
அலிகுலகஞ்ஜநமஞ்ஜநகம் ரதிநாயகஸாயகமோசநே ।
த்வததரசும்பநலம்பிதகஜ்ஜலமுஜ்ஜ்வலய ப்ரிய லோசநே ॥ 2 ॥
நயநகுரங்கதரங்கவிகாஸநிராஸகரே ஶ்ருதிமண்டலே ।
மநஸிஜபாஶவிலாஸதரே ஶுபவேஶ நிவேஶய குண்டலே ॥ 3 ॥
ப்ரமரசயம் ரசஹயந்தமுபரி ருசிரம் ஸுசிரம் மம ஸம்முகே ।
ஜிதகமலே விமலே பரிகர்மய நர்மஜநகமலகம் முகே ॥ 4 ॥
ம்ரு'கமதரஸவலிதம் லலிதம் குரு திலகமலிகரஜநீகரே ।
விஹிதகலங்ககலம் கமலாநந விஶ்ரமிதஶ்ரமஶீகரே ॥ 5 ॥
மம ருசிரே சிகுரே குரு மாநத மாநஸஜத்வஜசாமரே ।
ரதிகலிதே லலிதே குஸுமாநி ஶிகண்டிஶிகண்டகடாமரே ॥ 6 ॥
ஸரஸகநே ஜகநே மம ஶம்பரதாரணவாரணகந்தரே ।
மணிரஶநாவஸநாபரணாநி ஶுபாஶய வாஸய ஸுந்தரே ॥ 7 ॥
ஶ்ரீஜயதேவவசஸி ருசிரே ஹ்ரு'தயம் ஸதயம் குரு மண்டநே ।
ஹரிசரணஸ்மரணாம்ரு'தக்ரு'தகலிகலுஷபவஜ்வரகண்டநே ॥ 8 ॥
ரசய குசயோஃ பத்ரம் சித்ரம் குருஷ்வ கபோலயோ-ர்கடய ஜகநே காஞ்சீமஞ்ச ஸ்ரஜா கபரீபரம் ।
கலய வலயஶ்ரேணீம் பாணௌ பதே குரு நூபுரா-விதி நிகதிதஃ ப்ரீதஃ பீதாம்பரோऽபி ததாகரோத் ॥ 71 ॥
யத்காந்த்கர்வகலாஸு கௌஶலமநுத்யாநம் ச யத்வைஷ்ணவம் யச்ச்ரு'ங்காரவிவேகதத்வமபி யத்காவ்யேஷு லீலாயிதம் ।
தத்ஸர்வம் ஜயதேவபண்டிதகவேஃ க்ரு'ஷ்ணைகதாநாத்மநஃ ஸாநந்தாஃ பரிஶோதயந்து ஸுதியஃ ஶ்ரீகீதகோவிந்ததஃ ॥ 72 ॥
ஶ்ரீபோஜதேவப்ரபவஸ்ய ராமாதேவீஸுதஶ்ரீஜயதேவகஸ்ய ।
பராஶராதிப்ரியவர்ககண்டே ஶ்ரீகீதகோவிந்தகவித்வமஸ்து ॥ 73 ॥

When the host of companions had departed, Sri Hari (Krishna) looked at Radha—who, overwhelmed by deep modesty and the power of love, offered a faint, blooming smile while casting her eyes upon the bed of fresh sprouts—and spoke to her. [[V1 (Gita 23-1)]] O beloved, place your lotus-feet upon this bed of blossoms; let them experience the beauty of surpassing the soft petals of your feet, which now serve as your devotees. O Radhika, now follow Narayan who is following you. [[V1 (Gita 23-2)]] I shall serve your feet with my lotus-hands, for you have traveled a great distance. For a moment, grace the bed; let me, who am expert in following your lead, be like an anklet upon your feet. [[V1 (Gita 23-3)]] Speak words as sweet as the nectar flowing from the moon of your face. I shall remove the garment from your chest, which acts as a barrier to our union, as if it were the lingering shadow of our separation. [[V1 (Gita 23-4)]] Place your pot-like breasts—which are trembling with the thrill of our intense embrace—upon my chest; cool the fever of desire that is otherwise so hard to extinguish. [[V1 (Gita 23-5)]] O lady of the future, offer me the nectar of your lips; revive this servant who is as if dead. My heart is fixed upon you, and my body, devoid of pleasure, is scorched by the fire of separation. [[V1 (Gita 23-6)]] O moon-faced one, let the jeweled girdle at your waist sound out, for it is the companion to your neck. Quiet the long-standing weariness in my ears, which are distressed by the singing of the cuckoo. [[V1 (Gita 23-7)]] O beloved, your eyes, now closed as if in shame, have seen me overwhelmed by a futile anger. Cease this; let go of the fatigue of our love-play. [[V1 (Gita 23-8)]] May this song, composed by Sri Jayadeva, which at every step brings joy to the enemy of Madhu (Krishna), generate a delightful play of emotions in the hearts of the connoisseurs. [[V1 (69)]] During the erotic sport, when the battle of love began, Radha—in her eagerness to conquer her lover—took the initiative; but in her agitation, her hips became motionless, her arm-creepers grew limp, her chest trembled, and her eyes closed. Where can women find the inherent nature of masculine prowess in such moments? [[V1 (70)]] Then, though exhausted by their love-play, Radha—the one who holds her lover in complete subjection—spoke to her beloved, free from all shyness, requesting that he adorn her. [[V1 (Gita 24-1)]] O descendant of Yadu, with your hands, which are cooler than sandalwood paste, apply patterns of musk upon my breasts, which resemble auspicious golden jars of the God of Love. [[V1 (Gita 24-2)]] O beloved, brighten my eyes with collyrium that shames a swarm of bees; the kohl has become smudged from the kissing of your lips. [[V1 (Gita 24-3)]] O lotus-faced one, place pendants upon my ears, which are the vanquishers of the playful waves of a young deer's eyes; adorn them as a fitting plaything for the arrows of Manmatha (Cupid). [[V1 (Gita 24-4)]] Upon my hair, which surpasses the beauty of a swarm of bees, place beautiful flowers before my face; and upon my face, which outshines the lotus, apply the marks of beauty that incite desire. [[V1 (Gita 24-5)]] O moon-faced one, upon the moon of my forehead, draw a graceful tilak with musk; let it be the mark of beauty that relieves the exhaustion of my efforts. [[V1 (Gita 24-6)]] O you who honor your beloved, adorn my radiant tresses—the banners of the God of Love—with flowers, just as a peacock adorns its tail, leaving them beautifully disheveled from our love-play. [[V1 (Gita 24-7)]] O beautiful one, upon my lush hips—which are the mountain pass for the elephant of desire—place the jeweled girdle and ornaments, for you are pure of heart. [[V1 (Gita 24-8)]] O Lord, place your heart mercifully into the beautiful words of Jayadeva, which serve as an adornment; they are the nectar of remembrance of Hari’s feet, which destroys the fever of worldly existence and all sins. [[V1 (71)]] "Draw patterns upon my breasts, paint designs upon my cheeks, fasten the girdle upon my hips, adorn my braid with a garland, place a row of bangles upon my wrists, and put anklets upon my feet"—thus commanded, the delighted Krishna, wearing his yellow garment, did exactly as she asked. [[V1 (72)]] Whatever skill in the arts of song, whatever meditation on the Divine, whatever wisdom regarding the essence of Shringara (love), and whatever grace in poetry is found here—may the wise and joyous hearts of all refine these through this Sri Gita Govinda, the work of the poet-scholar Jayadeva, whose soul is dedicated solely to Krishna. [[V1 (73)]] May this poetry of Sri Gita Govinda, composed by Sri Jayadeva—the son of Rama Devi and Bhojadeva—reside forever in the hearts of those who are as dear to him as the sages like Parashara.

॥ இதி ஶ்ரீஜயதேவக்ரு'தௌ கீதகோவிந்தே ஸுப்ரீதபீதாம்பரோ நாம த்வாதஶஃ ஸர்கஃ ॥ ॥ இதி கீதகோவிந்தம் ஸமாப்தம் ॥

கீதகோவிந்தம் த்வாதஶஃ ஸர்கஃ - ஸுப்ரீத பீதாம்பரஃ

॥ த்வாதஶஃ ஸர்கஃ ॥

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॥ த்வாதஶஃ ஸர்கஃ ॥

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